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$16.74
In Leaves Borrowed from Human Flesh, the solipsistic self gives way to a language which attempts to recover the female body’s experience of place, and of the human and non-human creatures which inhabit it. The ethical dilemmas of representation are framed by a consciousness which allows itself to be permeated by whatever lies outside it, impinging on its boundaries to make them fluid, plural, at times, evanescent.
Divided into four sections which highlight an unmistakable female consciousness engaging with vast natural landscapes in four different continents, the collection’s evolution is towards a subtle form of resistance where anthropocentric certainties are interrogated. What starts as left-margined free verse, often using ekphrasis to highlight gender violence and resistance, leans increasingly towards the playful and experimental, at times adopting metre and traditional forms in combination with found poetry and erasure so as to destabilize the boundaries between genres. By the end of the collection, the page is no longer a mechanism for order and structure, but instead, evolves into a canvas and visual field, challenging the social order through language itself.
In Abigail Ardelle Zammit’s third collection, suffering, mortality and environmental degradation are inseparable from the poet’s relentless search for meaning. Relationships, aloneness and connectedness must be probed as inexhaustible themes in the vast trajectory of existence. Each poem is a question, an exploration of what can be unearthed through linguistic play, as well as an attempt to decolonize the self from a language that is always on the verge of running dry.
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$22.00
Your undercover operation is blown before you get to San Francisco. What next? If you're Orpen, you join the cops. Sort of. It's the Fall of 1883. Irish revolutionaries are changing the face of London with American dynamite, and not in a good way. Irish-born London Metropolitan Police Sergeant, Robert Emmet Orpen is sent, badly disguised as a tourist, to San Francisco to prevent at least some of the explosives getting into the wrong hands. He realizes that he may be out of his depth when his cover is blown before he even gets as far as the west coast. Now what does he do? First, he charms his way onto the San Francisco police force, where he is assigned to the coattails of a cynical, 'larger than life' Civil War veteran (from the losing side). Then he finds himself caught up in a murder involving one of the two violent Irish factions vying for supremacy in one of the most Irish of American cities. Orpen is going to wish he never heard of the murderous Knights of the Red Branch.Please note: you will be transferred to an outside website to make this purchase.
