Etruscan Press
  • 50 Miles is a memoir in linked essays that addresses addiction and alcoholism. The book traces the life of the author’s son, Gray, a talented but troubled young man, and his death from a drug overdose at thirty, as well as the author’s own recovery from substance abuse.
  • Karen Donovan’s Aard-vark to Axolotl, an eclectic series of tiny stories and prose poems, is based on a set of illustrations from the pages of her grandfather’s 1925 Webster’s New International Dictionary. The author collected pictures of plants and animals, diagrams and devices, and dozens of other charmingly quirky objects and created a new narrative context for each one. Sometimes sneaky mysterious, sometimes downright weird, these small poetic stories work on the reader like alternative definitions for items drawn from a cabinet of curiosities. View all books from Etruscan Press by Karen Donovan
  • Will Dowd takes us on a whimsical journey through one year of New England weather in this engaging collection of essays. As unpredictable as its subject, Areas of Fog combines wit and poetry with humor and erudition. A fun, breezy, and discursive read, it is an intellectual game that exposes the artificiality of genres.

    Award

    2017 — Mass Book Award
  • Art Into Life is a collection of essays by the late Frederick R. Karl that showcases his experience and advice for writing literary biographies. Karl is best known for his biographies of Franz Kafka, George Eliot, William Faulkner, and Joseph Conrad. Part memoir, part detective story, part literary exegesis, part psychological exploration, this comprehensive collection of essays remains free of critical or theoretical jargon. Whether he’s writing about Conrad’s suicide attempt, Faulkner’s drinking bouts, Kafka’s maternal bond, or George Eliot’s love life, Karl never wavers from his focus on individual experience shaping modern art.
  • Accessible, erudite, and ebullient, these essays delve into the workings of the poetic mind and offer incisive assessments of contemporary American poets and poetics. Hix not only maps the landscape, he reshapes it: taking on nabobs like John Ashbery (“Every age adores a few poets in whose work posterity maintains no interest”) and presenting such disparate figures as Charles Bernstein and Dana Goia in new light, discovering the missing link between the Neo-Formal and the Post-Modern. As Easy As Lying is the best book on Modern American poetry since Robert Hass’s Twentieth Century Pleasures. “Hix turns out keen metrics at once playful and soulful, suggesting that there may still be room for a philosophical modernist come lately.”—Harvard Review
  • What does it mean to want to become a mother as children around the world die of treatable diseases, are killed by bomb or bullet, are held in cages? In Bestiality of the Involved, Spring Ulmer lives this question out loud, refusing any easy answer.
  • This is a book of journeys, but it is not a guidebook. In twelve essays, Cannot Stay delves into why we leave our front porch in the first place. It speaks to the experience of travel, to what it means to shake loose of your identity and stuff all you need in a worn daypack. Cannot Stay bears witness to how travel reawakens us to the world by revealing the strange in the familiar and the familiar in the strange. Available: July 2015 6X9, 238 pp. eBook Available
  • Lines of Inquiry offers verse essays, interviews, letters, and other exploration into matters as minute as a freckle in the ear of a stranger on the Shanghai subway and as vast as the equal standing of all humans before the truth. Hix’s lines of inquiry yield surprising answers to pressing questions.
  • In September 11, 2001: American Writers Respond, more than 125 fiction writers, poets, and essayists offer a revelation of our collective psyche during a perilous time through searing memoirs, letters, poems, brief fictions, essays, a memorial service, and contributions beyond classification. Over time this anthology will surely remain one of our most crucial, challenging, and important. Included are Pulitzer Prize winning authors W. S. Merwin, Henry Taylor, and John Updike, National Book Award winners Ai and Lucille Clifton, former Poets Laureate Richard Wilbur and Robert Pinsky, and winners of others of our most distinguished awards who represent the spectrum of backgrounds, approaches, and attitudes that comprise the American literary landscape: Tess Gallagher, Ray Gonzalez, Kimiko Hahn, Joy Harjo, Denis Johnson, Erika Jong, Maxine Hong Kingston, Naomi Shihab Nye, Ishmael Reed, Scott Russell Sanders, Joanna Scott, Ruth Stone, John A. Williams, Terry Tempest Williams, and more than one hundred others. Most of the work in September 11, 2001: American Writers Respond appears here for the first time.
  • Surrendering Oz is a memoir in essays that charts the emotional awakening of a bookish Bronx girl. From her early job as a proofreader at The Guinness Book of World Records through a series of dominating and liberating friendships and secret connections, the author takes charge of her life as a Texas professor, writer and wise student of her own soul. Reader’s Digest says reading Surrendering Oz “is like having a conversation with a bracingly honest but fundamentally kind friend. In 15 pitch-perfect essays, she chronicles her hard-earned rejection of the cultural fairytales of womanhood as she comes fully into possession of her life." Surrendering Oz was recently longlisted for the 2015 PEN/Diamondstein-Spielvogel Award for the Art of the Essay.

    Awards

    2015 Finalist – The Community of Literary Magazines and Presses Firecracker Award 2015 Finalist – Longlist PEN/Diamonstein-Spielvogel Award for the Art of the Essay

  • What would poets say about each other’s poems if they were really honest? The answer is in Wild and Whirling Words. Thirty-three of America’s best and most important poets, diverse in gender, ethnicity, sexual orientation, geography, political disposition, and aesthetic commitments, took the challenge. Each volunteered one of her or his own poems, which the moderator then circulated anonymously among the other poets, who responded anonymously. The results tell a story about how poets read poems and how they write poems, about what poetry is, and about the state of contemporary poetry in America.

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