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Museum of Stones by Lynn Lurie

Museum of Stones is a magnificent and bracing trek through motherhood. In a series of wellplaced stones of urgent prose poetry, Museum of Stones reveals the fates in store for this newborn boy: wrists “no wider than a straw” and sternum sporting a tiny tower of gauze, hospital monitors aglow in their wide range of numbers and, later, “neatly folded sheets of paper crammed with lists of [the boy’s] numerical codes.” The book illumines the mutable states of the mother: the means by which she must carve herself, with “no distortions or duplications,” from what precious daily clay is left.

—Diane Raptosh, National Book Award Semi-Finalist, American Amnesiac
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Nahoonkara by Peter Grandbois

Set simultaneously in the farm country of Wisconsin and a small mining town in the Rocky Mountains of Colorado during the nineteenth century, the new novel by Peter Grandbois follows the lives of three brothers as each strives to re-create himself despite the forces that work to determine his identity. Though told from the point-of-view of many characters, the novel revolves around Killian, the oldest of the three, as he attempts to recapture a childhood as ephemeral as a dream. While Killian’s brother Henry strives to make the town prosperous and his brother Eli prays to maintain the town’s spiritual center, it becomes clear as the novel progresses that the center will not hold. Violence, lust, and greed tear at the fabric of the town until the only possibility for healing arrives in the form of a snowfall that lasts for three months, burying the town. It is here events take a surreal turn as individual identity collapses.

Nahoonkara, an Ute Indian word that means, “land of the rising blue,” offers a place outside our preconceived notions of reality and identity, a place where we are free to re-imagine ourselves.

“The amazing and masterful thing [in Nahoonkara] is the way that Grandbois ties this very personal, family story to the larger narrative of American expansion; it’s not overt, but we see clearly how individual pain leads to national empire.”—Kel Munger, Colorado Springs Independent Newspaper

Award

Winner of the Gold Medal for Best Literary Fiction of the Year (ForeWord Magazine Book of the Year Awards)
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No Hurry by Michael Blumenthal

No Hurry is a book of poems for the aging in body but youthful in spirit, for those interested in continuing to ask most meaningful questions as they head “downhill”: What does it mean to be alive? What shall we make of this journey from birth to death? How can we find meaning and joy amid our mortality and suffering?

“The finest collection of poetry I’ve read in a very long time.”—Ron Hansen

“What a terrific book this is! . . . [Blumenthal] thinks out loud for all of us, affirms and denies with wit, charm, and best of all, with what feels like hard-won accuracy.”—Stephen Dunn

“Michael Blumenthal’s poetry never sits heavy on the reader yet is substantial, civilized, and capable of articulating the human condition, including its pains and losses, without melodrama, high sentence, or self-pity. No Hurry is a gorgeous book: the world of flesh, mind, and heart spoken through air and silk.”—George Szirtes

“Blumenthal goes straight to the heart in these poems. Gorgeously wrought, surprising, true, wise, elegiac, they leave me with a sense of having listened to Mozart’s Ave Verum Corpus. Who could ask for more?”—Lynn Freed
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One Turn Around the Sun by: Tim Seibles

One Turn Around The Sun is a panorama of poems that attempt to define the twilight during which a person becomes caretaker of parents and begins to grind against that old saying, “Life is too short.” The book also studies the intricacies of being a self, a particular personality shaped by forces seen and unseen, both knowable and not. At times, the various voices might be considered characters that agree and sustain one perspective. In other cases, contending sensibilities imply an underlying argument. This is especially true of the book within the book, which is entitled “The Hilt.”

Several questions drive this collection, the most central being how can a person stay sane when so often socio-political circumstances mock all efforts to create a livable world. This is a book intended to bolster an ongoing engagement with life at a time when running away is a great temptation.
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Parallel Lives by Michael Lind

Michael Lind’s poems rather stand apart from most of what’s published these days, one reason being that his range of experience goes beyond the purely academic or literary into the realm of domestic and foreign policy. His reading, furthermore, puts him in a congenial relationship with Latin and Greek literature, witness his brilliant use of alcaic meters in the poem “Maragheh and Alamut.” Everywhere in this singularly distilled book you will find instances of special astuteness with respect to content, form, and imagery.”
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Peal by Bruce Bond

In Bruce Bond’s seventh book, we see a sustained exploration of mortality and its embodiment in the consolations of beauty, most notably in music.

“The poems in Bruce Bond’s collection Peal probe music’s deepest sources. These beautifully crafted lyrics lead us down into intricate and sonorous paths where we meet out own uncertain songs, at once ghostly, elegiac, and ecstatic. This is a work of exquisite complexity by one of our best poets writing today.”—Molly Bendall

“The speculative drive of these poems pushes the reader to the very limits of reflection.”—Daniel Tiffany
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Poems and Their Making: A Conversation Moderated by Philip Brady

Poems and Their Making is a collection of original poems and essays by a diverse cast of inter-connected contemporary American poets, delving into the origin and development of poetic thought, line, and structure. Each poem is followed by an essay by the poet illustrative of some particular issue in craft and theory raised during the poem’s making. While exploring the mysterious process of making poems, Poems and Their Making offers a ground’s eye view of the variety of current poetic practices, and nurtures a dialogue between poetry and critical prose.
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Quick Kills by Lynn Lurie

Quick Kills chronicles the desperate longing to belong as well as the effects of neglect, familial absence, and the nature of secrets. The young female narrator is seduced by an older man who convinces her that she is the perfect subject for his photographs. Meanwhile, the narrator’s sister embarks on an equally precarious journey. Never clearly delineating the border between art and pornography, the narrator’s escalating disquiet is evidence that lines have been crossed.

“Quick Kills is a chronicle of bewilderment sprung from the terrible want to be wanted, the paralyzing flux of allegiances that keeps us pinned where we ought not be. Girls go missing as readily as shoes in this darkly suggestive novel; nobody’s paying much attention but the predators, who are everywhere and swift. The reader is left to navigate by images, flashes in the dark—a drawer stuffed with frogs, a spatter of blood, a child in an empty swimming pool. Lurie insists that we look, keep looking, make beauty from the ruin, and live.”
—Noy Holland, author of Swim for the Little One First

Read the Quick Kills Kirkus Review Here »
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Rain Inscription by H. L. Hix

H. L. Hix’s Rain Inscription gives vivid testimony to the paradox that human making is both lasting and fleeting. Each of its three sections (a sonnet-sequence Q&A with contemporary cultural studies, a renewal of the sayings of Herakleitos and Jesus, and a group of dialogues with contemporary artists) extends an already capacious dialogue beyond its prior limits.
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Romer by Robert Eastwood

Using the schema of Dante’s Purgatorio, Romer is a poem of thirty-three Cantos in three-line stanzas, illuminating the experience of a modern man at every stage of
his life. Just as the Purgatorio explores the psyche in terms of its earthly existence, Romer follows the journey of one man who needs to know who he is, where he is, and what he is trying to do. This need is universal, so in that sense, Romer is every man.