H. L. Hix’s poetry collections have not been merely collections. Each fulfills a vision that creates a whole greater than the sum of its parts: each poem contributes to a sequence, each sequence talks to another. For readers already acquainted with Hix’s ambitions, then, the subtitle “Obsessionals” (instead of “Selected Poems”) will need no explanation: from collections that don’t just collect, what sense would it make for a selection just to select?
Hix’s poems were already at work rewriting and recontextualizing the language of others, language from sources as various as fragments of Pythagoras, apocryphal gospels, and speeches of George W. Bush. In First Fire, Then Birds, Hix keeps at the task, recontextualizing his own poems, creating a revision (seeing anew) and recomposition (putting together afresh) of an already distinctive body of work.
“[H. L. Hix is] one of our most daring poets, his oeuvre a rebuke to timidity, apathy, and retreat in any of its manifestations.”—Anis Shivani, The Huffington Post
Named by The Huffington Post as one of “The 17 Most Important Poetry Books of 2010.”