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Ill Angels explores the breakdowns and joys, the rhythms and reveries, the cul-de-sacs and jubilees, of early midlife. In poems that are at once formally assured and daringly inventive, Dante Di Stefano invokes the lives of artists, musicians, and writers he admires as his poems ruminate on love, death, music, language, and notions of national belonging. -
Against the busy background of the “information age” and the “anthropocene,” where’s poetry? It might seem invisible, irrelevant, but Demonstrategy proves it as salient as ever, and more urgent. In paired essays about poetry in the world and the world in poetry, Demonstrategy finds poetry’s pulse steady and strong. -
In Clay and Star, Romanian poet Liliana Maria Ursu captures with breathtaking precision the convergence of the sacred with the mundane. Whether anchored in Sibiu, Visby, Skala, or San Francisco, her poems both honor and transcend place and time as they search obsessively for essence, truths, self-knowledge, and the divine within. -
In her first collection, The Book of Orgasms, Nin Andrews introduced the orgasm as an ethereal presence, a character, a muse who begins a dialogue with her human counterparts. In The Last Orgasm, the author imagines a conclusion to the dialogue.
