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50 Miles Author Sheryl St. Germain’s Insight About Eight-Week Book Tour Collision With COVID-19 Pandemic
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I started planning an eight-week book tour for Fifty Miles
in early 2019. With the help and generosity of friends and colleagues,
I’d managed to put together a tour for 2020 that would span nine cities
and seven states. Fifty Miles is a memoir about addiction,
grief and healing that focuses on my son Gray, who died in 2014 of a
heroin overdose, and my own struggles with substance abuse and recovery.
I knew it was going to be difficult to read from it, night after night,
but it felt important to spread some compassionate and what I hoped
would be read as thoughtful lyricism about those we love who fall into
the river of addiction. In conversation with a fellow poet, Ed Hirsch,
who lost his own young son to drugs and wrote a poetry book inspired by
him, Ed said to me that we can’t market books like these, rather we have
to hope that they will fall into the hands of those that need them. I
hoped this book tour might help find those hands.
The tour started with a book launch in early spring in Pittsburgh, my
current home, and a reading at nearby Wilkes-Barre, home of Etruscan. I
then flew to New York City for another reading. A close friend of my
son, the artist, Morgan Everhart, came to this reading, which made it
especially meaningful. We had used a painting she did inspired by Gray
on the cover of a book of my poems that had come out in 2018, The Small Door of Your Death (Autumn House).
On March 1 we left for the first (driving) leg of the tour, with my
generous husband Teake driving. We knew about the virus, but none of my
events had been cancelled yet, and we hadn’t yet realized how bad it was
going to get. The Association of Writers and Writing Programs was still
planning to hold its conference in San Antonio, where I was scheduled
to do a signing with Etruscan for Fifty Miles, so I figured it
couldn’t be that bad. Two days later we were in Dallas, and things had
quickly worsened. I had a reading at a bookstore there, and spent a few
days with old friends and former students. I lived for 13 years in
Dallas and spent my first teaching years there. I was moved to see some
of the very first students I taught in the audience at the
reading. Meanwhile, more disturbing information was coming forward
about COVID-19 and its danger to the elderly. We were headed to San
Antonio to do the signing, then our plan was to drive to New Orleans
where we had just placed my mother in an assisted living facility. We
planned to spend a couple weeks in New Orleans helping my mother,
selling her house and hosting an estate sale before I participated in
the annual Tennessee Williams Festival.
But as we readied to leave Dallas for San Antonio, I began to have
second thoughts. What if I picked something up at the conference and
brought it to my mother? I decided the risk was too great, and with
sadness informed Etruscan that I was going to skip AWP. Instead, we
headed straight to Louisiana.
We had lots of time in the car, while driving, to listen to NPR and
catch up on what was happening with the virus. Although there weren’t
many cases in New Orleans yet, I began to think about how quickly it
might spread there. Having been born and raised in New Orleans, I knew
how important huge festivals like Mardi Gras were, but also that there
were lots of spring festivals where there would be large gatherings of
people. And I knew how my community there loved to drink and party and
be in large crowds. As of this date Louisiana is one of the three hot
spots for the virus in the U.S. with 9,150 cases and 310 deaths as of
this writing, the majority of which are in the New Orleans area.
We arrived in New Orleans March 8. We sold my mother’s house on March
11, and the family went out to eat lunch—raw oysters, gumbo and
po-boys—with my mother at our favorite restaurant. Meanwhile, emails
from Georgia, Illinois, Iowa and Maryland slowly trickled in saying that
all of my events had been cancelled.
A couple of days after we closed on the house, my mother’s assisted
living facility went on lock down. We were not going to be able to see
her for the forseeable future. We would learn later that a resident and
staff member both tested positive for the virus, and the former would
die. We hosted a two-day estate sale that weekend for my mother’s
possessions, which included thousands of books and old records. I wore
gloves and tried to be as careful as possible during the sale, but there
were times when 40 or so people seemed crammed into my mother’s tiny
house. I gave away a few copies of Fifty Miles to a few special
people who took books and were interested in learning about my mother
because her book collection was so vast and rich.
During the estate sale I received a communication from the organizers of
the Tennessee Williams Festival that they were cancelling the festival.
Meanwhile the number of confirmed cases in New Orleans was increasing
drastically, and I was worried about our getting stick and being stuck
in New Orleans, unable to see my mother, and in an old, tiny house with
almost no furniture, still lots of books, but also heaps of rat and
roach poison sprinkled everywhere. We packed up what we could, including
all the copies of Fifty Miles I had hoped to sell, and started
the two-day drive home. The first night on the road my husband
developed a cough and 101 fever. We pushed through the next day, sharing
driving. We both fell ill with flu-like symptoms for two weeks, but
tested negative for COVID-19, and are feeling better now.
What started as a journey to spread the word about the epidemic of drug
overdoses, inspired by personal experience and my son’s death, morphed
into a journey dominated by the fear of the growing epidemic of a new
virus strain. For now, my words of grief, healing and recovery are muted
by a currently more aggressive disease. I’m grateful to Etruscan, and
all the friends and colleagues who were willing to help try to get this
book into the hands of those that need it, and hopeful that in the
future this virus will lessen its grip on us and the book will fall into
more hands of those that need it.
If you’re interested in learning more about Fifty Miles, take a look at this recent piece published in D Magazine.
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Sheryl St. Germain is a poet and essayist whose
work has received numerous awards. Her most recent books include Fifty Miles (Etruscan Press, 2020), and a poetry collection, The Small Door of Your Death
(Autumn House Press, 2018). Sheryl directed the MFA program in Creative
Writing at Chatham University in Pittsburgh for 14 years, and is
co-founder of the Words Without Walls program.
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Topographies named Foreword Reviews Book of the Year Finalist
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Etruscan Press is proud to announce that Stephen Benz’s 2019 collection of travel essays, Topographies, has been named a Foreword Reviews Book of the Year Finalist. Formerly a writer for Tropic, the Sunday magazine of the Miami Herald,
he now teaches professional writing at the University of New
Mexico. Two of his essays have been selected for Best American
Travel Writing (2003, 2015).
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New Release from Etruscan
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We are pleased to announce the publication of Triptych. Here, between two covers, are three books: The Three-Legged World by Peter Grandbois, In Time by James McCorkle, and Orpheus & Echo by Robert Miltner. Although it may seem to be the case, Triptych is
not the product of a prior agreement; these three books, submitted
separately by their authors, speak to one another and, in doing so,
spoke to our editors. For this reason, Triptych is more than poetry, it is a tribute to the ancient communal nature of poetry.
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AWP 20: An Intimate Experience
by Jason Miller
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The Wilkes University/Etruscan Press booth at AWP 20 San Antonio.
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A dozen Etruscan staff and authors arrived in San Antonio, TX on
Wednesday, March 4 for the 53rd annual Association of Writers and
Writing Programs Bookfair and Conference. The event was held from
Thursday, March 5 through Saturday, March 7 at the Henry B. Gonzalez
Convention Center and the Grand Hyatt Hotel in downtown San Antonio. The
keynote address was given by Helena María Viramontes on Thursday, March
5. Viramontes is the author of The Moths and Other Stories, Under the Feet of Jesus, and Their Dogs Came with Them.
She is a USA Ford Fellow in Literature, has received the John Dos
Passos Prize for Literature, a Sundance Institute Fellowship, an NEA
Fellowship, a Spirit Award from the California Latino Legislative
Caucus, and a 2017 Bellagio Center Residency from the Rockefeller
Foundation.
Several Etruscan authors participated in panels, readings, and book
signings. In partnership with Wilkes University, Etruscan co-hosted a
booth on the Bookfair floor, offering book signings by Stephen Benz, Topographies; Laurie Jean Cannady, Crave: Sojourn of a Hungry Soul; Robert Eastwood, Romer; and Tim Seibles, Fast Animal and One Turn Around the Sun.
Etruscan poet Tim Seibles and Etruscan memoirist Laurie Jean Cannady
participated in the Saturday panel “Talking Loud, Talking Soft,”
exploring the challenge the recent resurgence of white nationalism
presents to African-American and Mexican-American writers.
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Tim Seibles and Laurie Jean Cannady sign books at the Wilkes University/Etruscan Press booth at AWP 20.
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Wilkes University alum Amye Archer presented her new book co-edited with Loren Kleinman, If I Don't Make It, I Love You: Survivors in the Aftermath of School Shootings.
Two school shooting survivors also joined the conversation for a very
frank and emotional discussion of what needs to be done to stop future
atrocities from occurring.
Etruscan also co-sponsored the AWP Old School Slam and Open Mic on both
Thursday and Friday nights. Over 30 poets attended and
performed their work.
One word echoed above the cancellations, absences, elbow and boot
bumps that abounded during AWP20 in San Antonio: intimacy. Many repeat
attendees I spoke with, especially those who have had the pleasure and
privilege of enjoying AWP year after year, remarked at how similar AWP20
was to conferences of the past, before the event had grown to what it
has become. Despite everything, those who did attend were treated to a
personal conference experience unlike any of the past few years.
Etruscan author Robert Eastwood remarked: “Those of us who attended the
AWP20––whether foolishly or with grim determination to evade the
pandemic––were rewarded with a diminished but still energetic gathering
of literary souls. I had the opportunity to talk with Philip Brady in
the flesh, see Bill Schneider once more, and meet Jason Miller. As
always, I came home with an armful of books, several from Etruscan. Now I
am sheltering in place and reading.”
Stephen Benz, author of the Foreword Reviews Indie Book of the Year nominated essay collection Topographies
said: “I had been looking forward to attending AWP in San Antonio
primarily so that I could finally meet the Etruscan staff face to face.
It was great to get to know people in person and to experience the
camaraderie of Etruscans. I was also impressed by the Wilkes community,
as current and former participants in the program stopped by the
Etruscan booth to chat and catch up. It was a great vibe, and I left San
Antonio still more grateful for my association with the press.”
The 54th Annual Conference and Bookfair is scheduled from March 3 through March 6, 2021 in Kansas City, MO.
Jason Miller earned a M.A. in Playwriting and is pursuing a M.F.A.
in Creative Writing from Wilkes University, where he is a graduate
assistant with Etruscan Press.
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About Etruscan Press:
Housed at Wilkes University and partnering with Youngstown State
University, Etruscan is a non-profit literary press working to produce
and promote books that nurture the dialogue among genres, cultures, and
voices.
For the latest Etruscan events, please visit our website.
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