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From
March 25 to March 29, 2018, Etruscan Press author Aaron Poochigian
visited Wilkes-Barre, PA to record the audiobook of his debut
novel-in-verse, Mr. Either/Or (Etruscan Press, 2017). The
recording sessions were completed at WCLH, the Wilkes University campus
radio station facility located in the Karambelas Media and Communication
Center. Mr. Either/Or is a melding of American mythology, noir
thriller and classical epic in language in which gritty rhythms,
foreboding overtones and groovy jams surround the reader like an
atmosphere. Imagine Byron’s Don Juan on a high-stakes romp through a
Raymond Chandler novel. Think Hamlet in Manhattan with a license to
kill. The audiobook will be available at Audible.com next month.
In between recording sessions, Poochigian observed Wilkes instructor
Bernie Kovacs’ poetry writing workshop, conducted a reading from Mr. Either/Or, and was interviewed by local newspapers The Citizens’ Voice and The Times Leader.
In between takes, he took some time out to explain his early love of
poetry and how this love came full circle in the recording of his book.
“The great Ancient Greek poet Homer didn’t know how to read,” Poochigian
says. “No, he heard poetry about such figures as ‘swift-footed
Achilles’ and ‘the Earth-Shaker Poseidon’ and composed his epics The Iliad and The Odyssey
as he performed them, relying on his rhythmic instincts and phrases he
remembered. My first ecstatic experiences with poetry were intensely
auditory. What grabbed me was the sound of the poets I loved, poets such
as Homer in Greek, Vergil in Latin and Yeats in English.”
When he was eighteen, Poochigian says, “I decided to spend the rest of
my life writing poetry. What I aspired to attain in my living language
was a sublime sound. Thus, I have always thought of myself not as a
writer but as a composer of poetry. I do the work out loud or by hearing
the sounds in my head. For me, actually writing poems down is a
secondary and ancillary practice. They are meant to be heard. I want the
voice in my poems to be right there like a lover murmuring in the
reader’s ear.”
Poochigian claims his recording Mr. Either/Or for Audible.com
has been the fulfillment of his adolescent aspiration. “Through the
recording, I get to present my work to an audience in the very way that I
hear it and want it to be heard. Through audio speakers and, even
better, headphones, I get to be right there murmuring in the audience’s
ear—there’s no need for a reader at all,” he says. “For me, the
popularity of books on tape and audio media has been a dream come true,
in that it allows both poet and audience alike to get back to oral/aural
origins of poetry, both within a single life through one’s recollection
of being read to as a child and within the history of poetry through
the evocation of the illiterate, oral poet Homer.”
This is the first time an Etruscan author has recorded an audiobook at
WCLH, and Poochigian expressed enthusiasm over the opportunity to be
involved in this partnership. He says, “Every day I become still more
grateful that I decided to publish Mr. Either/Or with Etruscan
Press. I had big ambitions for the book, and Etruscan has found ways to
bring all my plans to fulfillment, both in terms of publicity and, now,
through this audiobook. Three days I worked with sound-technicians at
Wilkes. It was an exciting (and at times grueling) process, especially
because our standard was perfection. I am happy because I have left them
with a recording of the book as I wanted it to be read.” As far as
post-production, the Wilkes recording team will now turn to adding
another dimension to the work through refinements such as ambient
sounds—big city noises, cheering crowds, horns, and gunshots.
“I hope this recording of Mr. Either/Or will prove a watershed
in audio media, and other poets will start recording their books for
Audible.com,” says Poochigian. “Our technology offers us so many
opportunities and in this case, we can use it to go back to the
original, to Homer himself.”
Pamela Turchin is pursuing her M.F.A. in fiction from Wilkes
University, where she serves as a graduate assistant and as the
production editor at Etruscan Press.
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