Etruscan Press
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  • Zarathustra Must Die is Dorian Alexander’s first work of fiction and traverses several genres as it follows the odyssey of a graduate student grappling with Nietzsche’s concept of “eternal recurrence.” Part fictional memoir, part novel, part philosophical exposition, the work explores the nature of time and its relationship to our existence. However, Zarathustra Must Die finds a home not only in the high art of philosophy, but also in the low art of sex and drugs. Never taking the journey too seriously, Alexander’s humor ranges from high-brow wit to pure burlesque. Zarathustra Must Die is a thought-provoking fiction experience that defies easy classification.
  • Surrendering Oz is a memoir in essays that charts the emotional awakening of a bookish Bronx girl. From her early job as a proofreader at The Guinness Book of World Records through a series of dominating and liberating friendships and secret connections, the author takes charge of her life as a Texas professor, writer and wise student of her own soul. Reader’s Digest says reading Surrendering Oz “is like having a conversation with a bracingly honest but fundamentally kind friend. In 15 pitch-perfect essays, she chronicles her hard-earned rejection of the cultural fairytales of womanhood as she comes fully into possession of her life." Surrendering Oz was recently longlisted for the 2015 PEN/Diamondstein-Spielvogel Award for the Art of the Essay.

    Awards

    2015 Finalist – The Community of Literary Magazines and Presses Firecracker Award 2015 Finalist – Longlist PEN/Diamonstein-Spielvogel Award for the Art of the Essay

  • Quick Kills chronicles the desperate longing to belong as well as the effects of neglect, familial absence, and the nature of secrets.  The young female narrator is seduced by an older man who convinces her that she is the perfect subject for his photographs. Meanwhile, the narrator’s sister embarks on an equally precarious journey. Never clearly delineating the border between art and pornography, the narrator’s escalating disquiet is evidence that lines have been crossed. "Quick Kills is a chronicle of bewilderment sprung from the terrible want to be wanted, the paralyzing flux of allegiances that keeps us pinned where we ought not be. Girls go missing as readily as shoes in this darkly suggestive novel; nobody’s paying much attention but the predators, who are everywhere and swift. The reader is left to navigate by images, flashes in the dark—a drawer stuffed with frogs, a spatter of blood, a child in an empty swimming pool. Lurie insists that we look, keep looking, make beauty from the ruin, and live." —Noy Holland, author of Swim for the Little One First Read the Quick Kills Kirkus Review Here »
  • Blending biblical characters into a deeply personal history, What We Ask of Flesh tells of women through time, their spirits borne through broken flesh, through wombs and memories. The body becomes an instrument as words explore the mystical connection between what was and is. “A tour de force and a story where nothing—no regret or rationalization can stanch the reality of what can happen to us, made of flesh. This is a surging book …”—Grace Cavalieri, The Washington Independent Review of BooksWhat We Ask of Flesh, like the flesh itself, is full of honey and fire. It’s impossible not to feel called by these poems, summoned by their rich sound and vatic voice.”—Amy Gerstler

    Award

    2014 Finalist – Hurston/Wright Legacy Award in Poetry
  • The Football Corporations explores romantic conceptions of contemporary sports, powering its way into a post-catastrophe setting of dirty bombs in stadiums, tortured athletes, corporate domination, and cynicism on a global level. "In 60-plus poems, Heyen tackles the violence in sports, robotic athletes and coaches, steroids, teams controlling every message and the scourge of corporate takeover. He wonders where the romance went, when cheering for Willie, Mickey and Duke as a kid growing up on Long Island seemed so pure. Grab a beer, a seat in the stands, and prepare to cry."—Roth, Sports columnist for the Democrat and Chronicle (Rochester)
  • pen_oakland_award_smallThe newest collection from one of America’s foremost African-American poets threads the journey from youthful innocence to the whittled-hard awareness of adulthood. Along the way it immerses the reader in palpable moments —the importance of remembering, the complexity of race, and the meaning of true wakefulness “Crisply comic, disarmingly frank, and aurally bold …” —Publishers Weekly

    Awards

    2014 — Theodore Roethke Memorial Poetry Prize 2013 — PEN Oakland Literary Award Winner 2012 — National Book Award Finalist
  • In Bruce Bond’s seventh book, we see a sustained exploration of mortality and its embodiment in the consolations of beauty, most notably in music. “The poems in Bruce Bond’s collection Peal probe music’s deepest sources. These beautifully crafted lyrics lead us down into intricate and sonorous paths where we meet out own uncertain songs, at once ghostly, elegiac, and ecstatic. This is a work of exquisite complexity by one of our best poets writing today.”—Molly Bendall “The speculative drive of these poems pushes the reader to the very limits of reflection.”—Daniel Tiffany
  • The Widening is a poetic novel, presenting from the inside a portrait of a young woman’s volatile mix of passivity and wildness. Preoccupied with issues of female sexuality and alienation, and by turns picaresque, dark, and edgily erotic, it takes an unnamed girl in the mid-1970s from high school in California through travels in Spain and into college. The Widening is Moldaw’s first novel. “In an age when literature often hinges on authorial self-construction, Moldaw’s work is a fascinating act of exploration. The world she discovers is dazzling and scary, haunted and generous, ‘flagrant with expectancy.’”—Dennis Nurkse
  • “In this, his most intricately composed book, his most important yet, Bruce Bond has achieved a sonorous grandeur.”—Bin Ramke “With the luminous precision of music, Bruce Bond has crafted, in Cinder, a generous and urgent collection of poems, a work that celebrates the human condition and terrifies us with it in equal measure. The result is a book of poems weighted with dark vision, set loose. Bruce Bond is one of our generation’s best poets, and this is his best book.”—Laura Kasischke
  • When Isidore Mirsky’s sister-in-law Joan loses her apartment, she moves in. Mirsky’s world is already in flux—his job lost, his bayside town under siege by developers—and now he must struggle with his bewildering attraction to Joan, who evokes for him all the qualities that once drew him to his wife. How can a warm, unpredictable man remain true to himself and to the woman he loves? Desire, and the renewal it brings, might just be the thing that causes damage. Outrageous, tender, and alive with the sound of Isidore’s voice, The Burning House captures a man at his most vulnerable moment, on the brink of something new. "A vigorous, interior-driven narrative... Lisicky is a beautiful and powerful writer; his prose has a palpable energy that demands close attention...."—Publishers Weekly "An extraordinary fiction in that it sustains a believable poetic voice throughout... Lisicky's longer prose piece...often feels like a long, beautiful narrative poem about what it is to be flawed and human in a world that often seems, at best, indifferent."—The Boston Globe “Paul Lisicky’s The Burning House smolders with muscular, beautiful language, and shines with love for two sisters as each blossoms darkly into her own future. Lisicky’s odd man out finds his way deeply inside the reader’s desires and hopes. The answer to the question, ‘what do (good) men want?’ may well be answered in this elliptical, pitch-perfect gem of a novel.” — Jayne Anne Phillips
  • Using the schema of Dante’s Purgatorio, Romer is a poem of thirty-three Cantos in three-line stanzas, illuminating the experience of a modern man at every stage of his life. Just as the Purgatorio explores the psyche in terms of its earthly existence, Romer follows the journey of one man who needs to know who he is, where he is, and what he is trying to do. This need is universal, so in that sense, Romer is every man.
  • With a lyricism that is both delicate and painful, Rough Ground explores the devastating consequences of trauma on our ability to speak about the world. Based upon Wittgenstein’s Tractatus Logi-co-Philosophicus, Rough Ground distills philosophical speculation to poetic text, enacting an utterance almost beyond speech. While the philosopher concludes “that which we cannot speak about, we must pass over in silence,” the poems writ on “rough ground” enact a portentous silence, mapping a path between word and world.
  • Karen Donovan’s Aard-vark to Axolotl, an eclectic series of tiny stories and prose poems, is based on a set of illustrations from the pages of her grandfather’s 1925 Webster’s New International Dictionary. The author collected pictures of plants and animals, diagrams and devices, and dozens of other charmingly quirky objects and created a new narrative context for each one. Sometimes sneaky mysterious, sometimes downright weird, these small poetic stories work on the reader like alternative definitions for items drawn from a cabinet of curiosities. View all books from Etruscan Press by Karen Donovan
  • Will Dowd takes us on a whimsical journey through one year of New England weather in this engaging collection of essays. As unpredictable as its subject, Areas of Fog combines wit and poetry with humor and erudition. A fun, breezy, and discursive read, it is an intellectual game that exposes the artificiality of genres.

    Award

    2017 — Mass Book Award
  • Aaron Poochigian’s Mr. Either/Or is an ingenious debut, a verse novel melding American mythology, noir thriller and classical epic in language in which gritty rhythms, foreboding overtones and groovy jams surround you like an atmosphere. Imagine Byron’s Don Juan on a high-stakes romp through a Raymond Chandler novel. Think Hamlet in Manhattan with a license to kill. Mr. Either/Or is now available for download on Audible.

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