Etruscan Press
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  • In the third Tribus by Etruscan Press, we present work by poets of three generations: William Heyen, H. L. Hix, and Dante Di Stefano. It was Di Stefano’s new book, Lullaby with Incendiary Device, which inspired this tribute to three generations. Lullaby is deeply immersed in a soon-to-be-realized future, in which Di Stefano’s daughter faces an array of 21st century challenges. For the last half-century, Heyen’s poetry has explored world history, from Nature, to Native Americans, to the Holocaust and the atom bomb, the Iraq Wars, to the British Royals. In this book, Heyen presents another entry into his Holocaust opus, The Nazi Patrol. H. L. Hix’s work is also inextricably involved with the world as seen in a recent collection, American Anger, which explores the psychology of rage underneath recent political turmoil, yet it also turns inward, creating new forms to join the world and the inner life. This theme is most prominent here, in How It Is That We.
  • With a wandering spirit and an inquisitive mind, Stephen Benz ventures around town, across country, and overseas in search of forgotten, overlooked, or misunderstood stories. From rock concerts and courthouses to farm towns, battlegrounds, historical sites, and quirky museums, these “itinerant essays” revel in discovering “new wonders every mile.”
  • Tim Seibles’ Voodoo Libretto: New and Selected Poems is in many ways a book of memories, a chronicle of both the personal and the political. Driven by a restless and wide ranging imagination, the poems are sometimes humorous, sometimes deadly serious, sometimes erotic, sometimes mystical, and occasionally all of these things at once.
  • Also Dark is fresh from the pen of Angelique Palmer, a Black Woman Queer Mama forced to forge her own armor and create her own path. Bigotry, ageism, sexism, colorism, homophobia, and ableism are given voice and a voracious opponent in her poems.
  • Trio: three books of poetry—Planet Parable, by Karen Donovan; Run, by Diane Raptosh; Endless Body by Daneen Wardrop—bound together in one accommodating volume; three distinct and fully realized, absorbing universes that stand on their own but, here, not apart. Inevitably, serendipitously, the intelligences, preoccupations, prosodic signatures begin to reverberate and ricochet, not just for readers but for the poets themselves, who together, in an afterward, comment on the project and create an intriguing cento of combined lines. Individually, Karen Donovan’s poems unspool lyric macrocosms and microcosms with equal and precise astonishment; Diane Raptosh’s poems unveil and reclaim with intimacy the spiritual, sexual and political history of Victoria Woodhull, an American feminist purged from the annals; and the poems of Daneen Wardrop, with close and darting attention, create an intricate, syncopated network. Each of these three poets, with daring and mastery, compels on her own; together in Trio, their synergy is riveting. — Carol Moldaw, Beauty Refracted
  • In the midst of Idi Amin’s dictatorship, Fordham and her family moved to Uganda as Seventh-day Adventist missionaries. In lush and observant prose, Fordham describes the country she loves, the dangers her family faces, her parents’ conflict, and the insular, peculiar faith that shaped her. 2021 Sarton Book Award Finalist Honorable Mention for General Nonfiction from the 2021 Los Angeles Book Festival
  • What does it mean to want to become a mother as children around the world die of treatable diseases, are killed by bomb or bullet, are held in cages? In Bestiality of the Involved, Spring Ulmer lives this question out loud, refusing any easy answer.
  • Bruce Bond’s trilogy of sonnet sequences explores trauma and self-alienation and the power of imaginative life to heal—to reawaken with the past; to better understand its influence, both conscious and unconscious; to gain some measure of clarity, empathy, and freedom as we read the world around us.
  • In her first collection, The Book of Orgasms, Nin Andrews introduced the orgasm as an ethereal presence, a character, a muse who begins a dialogue with her human counterparts. In The Last Orgasm, the author imagines a conclusion to the dialogue.
  • A book of provocative ideas, about art and artists, Variations In The Key of K is an artfully constructed collection of stories. Franz Kafka, Pablo Picasso, and William Blake are among the many artist lives reconceived here. A book of cautionary histories, on one hand. An irreverent celebration of the graces of the creative life, on the other.
  • Dear Z collects verse-letters to a newly fertilized zygote— not quite a person, nor even an embryo, but rather, the great human maybe. Th e speaker delivers to the “Z” a taste of what this might mean in poems whose topical range traipses from AutoFill to Idaho, New Zealand rivers to the zombie apocalypse.
  • A triptych typically depicts a scene, a single picture, in three panels. A trio is one song or one movement played by three musicians. But if this rich new book, Triptych, represents something singular, it is to show a small part of the singular diversity and range of contemporary American poetry. From Peter Grandbois’ intimate, disarming lyricism, to James McCorkle’s chewy, sustained meditations on time and the nature of decay, to Robert Miltner’s classical dramas where the Orphic myth can take us from creekside to the underworld of Vegas, each of this book’s books is as distinct as each poet’s style and manner—splayed or compressed, in lines or in prose, in wonder, in amusement, or in alarm. Over them all hovers the bedeviling circumstance of Time—enabler, nemesis, and charm. It imperils the lovers, fractures the landscapes, and confounds the sense of every self. —David Baker, Swift: New and Selected Poems
  • 50 Miles is a memoir in linked essays that addresses addiction and alcoholism. The book traces the life of the author’s son, Gray, a talented but troubled young man, and his death from a drug overdose at thirty, as well as the author’s own recovery from substance abuse.
  • In Clay and Star, Romanian poet Liliana Maria Ursu captures with breathtaking precision the convergence of the sacred with the mundane. Whether anchored in Sibiu, Visby, Skala, or San Francisco, her poems both honor and transcend place and time as they search obsessively for essence, truths, self-knowledge, and the divine within.
  • Against the busy background of the “information age” and the “anthropocene,” where’s poetry? It might seem invisible, irrelevant, but Demonstrategy proves it as salient as ever, and more urgent. In paired essays about poetry in the world and the world in poetry, Demonstrategy finds poetry’s pulse steady and strong.

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