Etruscan Press
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  • In dialogue between poetry and visual art, The Other Sky probes the depths of the psyche: childhood roots, reveries, tensions. We find visual art and poems that respond, not as mere descriptions, but as speculative and emotional explorations, incantations, forces of resistance even, driven by strengths unique to poems. This book is unique by virtue of the power, virtuosity, and refinement of its images and the ways the poems work closely with them to create a symbiosis that is larger than either medium alone. Both artist and poet have a large following, so this book represents the coming together of two communities, the worlds of poetry and visual art, to expand the range of what is possible in each.

    Award

    2016 Finalist — Texas Institute of Letters Helen Smith Memorial Award for Best Book of Poetry
  • Art Into Life is a collection of essays by the late Frederick R. Karl that showcases his experience and advice for writing literary biographies. Karl is best known for his biographies of Franz Kafka, George Eliot, William Faulkner, and Joseph Conrad. Part memoir, part detective story, part literary exegesis, part psychological exploration, this comprehensive collection of essays remains free of critical or theoretical jargon. Whether he’s writing about Conrad’s suicide attempt, Faulkner’s drinking bouts, Kafka’s maternal bond, or George Eliot’s love life, Karl never wavers from his focus on individual experience shaping modern art.
  • H. L. Hix’s poetry collections have not been merely collections. Each fulfills a vision that creates a whole greater than the sum of its parts: each poem contributes to a sequence, each sequence talks to another. For readers already acquainted with Hix’s ambitions, then, the subtitle “Obsessionals” (instead of “Selected Poems”) will need no explanation: from collections that don’t just collect, what sense would it make for a selection just to select? Hix’s poems were already at work rewriting and recontextualizing the language of others, language from sources as various as fragments of Pythagoras, apocryphal gospels, and speeches of George W. Bush. In First Fire, Then Birds, Hix keeps at the task, recontextualizing his own poems, creating a revision (seeing anew) and recomposition (putting together afresh) of an already distinctive body of work. "[H. L. Hix is] one of our most daring poets, his oeuvre a rebuke to timidity, apathy, and retreat in any of its manifestations."—Anis Shivani, The Huffington Post

    Award

    Named by The Huffington Post as one of "The 17 Most Important Poetry Books of 2010."
  • Poems and Their Making is a collection of original poems and essays by a diverse cast of inter-connected contemporary American poets, delving into the origin and development of poetic thought, line, and structure. Each poem is followed by an essay by the poet illustrative of some particular issue in craft and theory raised during the poem’s making. While exploring the mysterious process of making poems, Poems and Their Making offers a ground’s eye view of the variety of current poetic practices, and nurtures a dialogue between poetry and critical prose.
  • What would poets say about each other’s poems if they were really honest? The answer is in Wild and Whirling Words. Thirty-three of America’s best and most important poets, diverse in gender, ethnicity, sexual orientation, geography, political disposition, and aesthetic commitments, took the challenge. Each volunteered one of her or his own poems, which the moderator then circulated anonymously among the other poets, who responded anonymously. The results tell a story about how poets read poems and how they write poems, about what poetry is, and about the state of contemporary poetry in America.
  • These eleven quintessentially American stories fully demonstrate our unstinting capacity for love and loss. As The Atlantic Monthly's C. Michael Curtis describes it, “Tom Bailey’s characters live in a world of deceptive simplicity. They move from job to job and in and out of prison, struggle to…understand loving attachment, make crucial misjudgments, defend…what they believe are manly virtues, and absorb deep…disappointments. They hunt, shoot, drink, and fight, while cultivating an appetite for moral ambiguity that elevates these…stories and wins our respect for their author.” “An impressive gathering—richly imagined and sensitively crafted stories of loss, mystery, hurt, and unexpected redemption.”—Joyce Carol Oates
  • This book of essays by Norman Mailer’s biographer, Dr. J. Michael Lennon, collect personal and literary reminiscences, insights, and investigations from the last half century. Th rough the rising action of his life in literature, Lennon’s remembrances track the influence not only of his literary pater familias, Norman Mailer, but his actual father, a booze-bitten blue-collar bibliophile with his own reputation for genius, and how together these mentors forged and focused the 20/20 literary vision Lennon takes to the work of some of the greatest writers of the Twentieth Century, from Baldwin and Bishop to Didion and DeLillo and, not least, Mailer himself.
  • Tim Seibles’ Voodoo Libretto: New and Selected Poems is in many ways a book of memories, a chronicle of both the personal and the political. Driven by a restless and wide ranging imagination, the poems are sometimes humorous, sometimes deadly serious, sometimes erotic, sometimes mystical, and occasionally all of these things at once.
  • In the third Tribus by Etruscan Press, we present work by poets of three generations: William Heyen, H. L. Hix, and Dante Di Stefano. It was Di Stefano’s new book, Lullaby with Incendiary Device, which inspired this tribute to three generations. Lullaby is deeply immersed in a soon-to-be-realized future, in which Di Stefano’s daughter faces an array of 21st century challenges. For the last half-century, Heyen’s poetry has explored world history, from Nature, to Native Americans, to the Holocaust and the atom bomb, the Iraq Wars, to the British Royals. In this book, Heyen presents another entry into his Holocaust opus, The Nazi Patrol. H. L. Hix’s work is also inextricably involved with the world as seen in a recent collection, American Anger, which explores the psychology of rage underneath recent political turmoil, yet it also turns inward, creating new forms to join the world and the inner life. This theme is most prominent here, in How It Is That We.
  • Trio: three books of poetry—Planet Parable, by Karen Donovan; Run, by Diane Raptosh; Endless Body by Daneen Wardrop—bound together in one accommodating volume; three distinct and fully realized, absorbing universes that stand on their own but, here, not apart. Inevitably, serendipitously, the intelligences, preoccupations, prosodic signatures begin to reverberate and ricochet, not just for readers but for the poets themselves, who together, in an afterward, comment on the project and create an intriguing cento of combined lines. Individually, Karen Donovan’s poems unspool lyric macrocosms and microcosms with equal and precise astonishment; Diane Raptosh’s poems unveil and reclaim with intimacy the spiritual, sexual and political history of Victoria Woodhull, an American feminist purged from the annals; and the poems of Daneen Wardrop, with close and darting attention, create an intricate, syncopated network. Each of these three poets, with daring and mastery, compels on her own; together in Trio, their synergy is riveting. — Carol Moldaw, Beauty Refracted
  • From the white horse appearing like an apparition, to the massive skeleton of a whale on the coast, Diane Thiel’s The White Horse: A Colombian Journey takes us on a magically real journey into the Pacific Coast rain forest of Colombia. Equal parts travel narrative, ecological essay, history, and memoir, this book allows us to experience a reality stranger than fiction. Thiel’s writing beckons us deeper into the heart of the forest, reawakens our consciousness about the natural world, and evokes the spirit of adventure. “What a beautiful book. I knew it was going to be poetic, but I was knocked over twice by its compelling narrative drive and quiet sense of humor.”—Sherman Alexie
  • In September 11, 2001: American Writers Respond, more than 125 fiction writers, poets, and essayists offer a revelation of our collective psyche during a perilous time through searing memoirs, letters, poems, brief fictions, essays, a memorial service, and contributions beyond classification. Over time this anthology will surely remain one of our most crucial, challenging, and important. Included are Pulitzer Prize winning authors W. S. Merwin, Henry Taylor, and John Updike, National Book Award winners Ai and Lucille Clifton, former Poets Laureate Richard Wilbur and Robert Pinsky, and winners of others of our most distinguished awards who represent the spectrum of backgrounds, approaches, and attitudes that comprise the American literary landscape: Tess Gallagher, Ray Gonzalez, Kimiko Hahn, Joy Harjo, Denis Johnson, Erika Jong, Maxine Hong Kingston, Naomi Shihab Nye, Ishmael Reed, Scott Russell Sanders, Joanna Scott, Ruth Stone, John A. Williams, Terry Tempest Williams, and more than one hundred others. Most of the work in September 11, 2001: American Writers Respond appears here for the first time.
  • More than an expressive book of poems, American Anger is an evidentiary reflection of civility and self-correction. Just as a documentary assembles documents, American Anger assembles evidences: found poems, testimonies, narratives, statistics, translations of short topical excerpts from classical literature, all of which bring American anger to light. Born from the poet’s own philosophical research, these poems present current sociocultural circumstances and employ arguments of dissonance between the statements and actions of the United States government, creating an engaging social and cultural movement focused on how anger is part of everyday American life. American Anger stimulates discussion important to any concerned citizen. Within the work, a fully developed author biography is present in its own right, affording the reader a chance to learn more about the poet through philosophy and lyricism. The interior of the book has a unique design, which is expertly typeset to create essentially a manuscript within a manuscript. A ribbon of text runs in boustrophedon, an ancient Greek writing form, like a watermark behind the poetry.
  • Crave is a coming-of-age memoir that chronicles a young girl’s journey through abuse and impoverishment. The effusive narration descends into the depths of personal and sexual degradation, perpetual hunger for food, safety and survival. While moving through gritty exposés of poverty, abuse, and starvation, Crave renders a continuing search for sustenance that simply will not die. Laurie Jean Cannady is most recognizable through her voice. Lyrical and august, yet strangely intimate, her lucid memory for the texture of daily existence weaves the reader into the fabric of the story. We discover that the most slender threads bind the strongest. It is no surprise this memoir is a narrative about a victim who becomes a survivor. Cannady is assertive, motivational, and unafraid to reach her target audience: women, African-Americans, high-school students, college students, survivors of physical and sexual abuse, veterans, people raised by single parents, and folks who are living in or have lived through impoverishment.

    Awards

    2015 Finalist – Foreword Review Book of the Year Award
  • In her first collection, The Book of Orgasms, Nin Andrews introduced the orgasm as an ethereal presence, a character, a muse who begins a dialogue with her human counterparts. In The Last Orgasm, the author imagines a conclusion to the dialogue.

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