WEBSITE | www.bonniefriedman.com
Surrendering Oz is a memoir in essays that charts the emotional awakening of a bookish Bronx girl. From her early job as a proofreader at The Guinness Book of World Records through a series of dominating and liberating friendships and secret connections, the author takes charge of her life as a Texas professor, writer and wise student of her own soul.
Reader’s Digest says reading Surrendering Oz “is like having a conversation with a bracingly honest but fundamentally kind friend. In 15 pitch-perfect essays, she chronicles her hard-earned rejection of the cultural fairytales of womanhood as she comes fully into possession of her life.” Surrendering Oz was recently longlisted for the 2015 PEN/Diamondstein-Spielvogel Award for the Art of the Essay.
2015 Finalist – The Community of Literary Magazines and Presses Firecracker Award
2015 Finalist – Longlist PEN/Diamonstein-Spielvogel Award for the Art of the Essay
WEBSITE | www.bonniefriedman.com
What would poets say about each other’s poems if they were really honest? The answer is in Wild and Whirling Words. Thirty-three of America’s best and most important poets, diverse in gender, ethnicity, sexual orientation, geography, political disposition, and aesthetic commitments, took the challenge. Each volunteered one of her or his own poems, which the moderator then circulated anonymously among the other poets, who responded anonymously. The results tell a story about how poets read poems and how they write poems, about what poetry is, and about the state of contemporary poetry in America.
Toucans in the Arctic is an inspired truant from any number of poetical schools. In this lyric case study of tumult and tranquility, the poet, tour pamphlet in hand, wanders through the national park of the psyche, noting surfeits of beauty and ruin as he scrambles across the eerie landscapes of identity and marriage.
“In this long-awaited first collection, Toucans in the Arctic, Scott Coffel writes, ‘When I see a woman at the Cottage Bakery/immersed in Ulysses or The Brothers Karamzov/my desires align themselves in neat rows/for the march into liberated Paris…’ Of wide reference and deep thought, of language taut and somehow new, these are 21st Century poems of joy, rage, erudition, wry humor, monumental tenderness. You will remember the day you discovered this book.”—Suzanne Cleary
2010 —Poetry Society The Norma Farber First Book Award
In dialogue between poetry and visual art, The Other Sky probes the depths of the psyche: childhood roots, reveries, tensions. We find visual art and poems that respond, not as mere descriptions, but as speculative and emotional explorations, incantations, forces of resistance even, driven by strengths unique to poems. This book is unique by virtue of the power, virtuosity, and refinement of its images and the ways the poems work closely with them to create a symbiosis that is larger than either medium alone. Both artist and poet have a large following, so this book represents the coming together of two communities, the worlds of poetry and visual art, to expand the range of what is possible in each.
2016 Finalist — Texas Institute of Letters Helen Smith Memorial Award for Best Book of Poetry
In a memoir Lance Olsen calls “fascinating, horrifying, unfalteringly honest,” award-winning writer Renee E. D’Aoust draws from her experiences as a modern dancer in New York City during the nineties. Trained at the prestigious Martha Graham Center, D’Aoust intertwines accounts of her own and other dancers’ lives with essays on modern dance history. Her luminous prose spotlights this passionate, often brutal world. Scarred, strained, and tough, bearing witness to the discipline demanded by the art form, Body of a Dancer provides a powerful, acidly comic record of what it is to love, and eventually leave, a life centered on dance.
“Body of a Dancer fills a void in the dance literature that has existed for far too long. . . As D’Aoust reveals in her wonderful memoir, the ‘Body of a Dancer’ is also shaped by an entire life led both inside and outside the studio.”
“Fascinating, horrifying, unfalteringly honest, Renée E. D’Aoust’s Body of a Dancer is a remarkably clear-eyed descent into New York’s surreal world of modern dance peopled by the obsessed, dispossessed, sexy, suicidal, brutal, broke, and absurd, where piercing self-doubt and ambition give way to luminous instants of transcendence, and where the body is a site of pain and beauty and discipline and joy, a home you can never fully inhabit and never fully leave.”
—Lance Olsen, author of Head in Flames
2011 Finalist – Foreword Review Book of the Year Award
Enjoy our latest video "Bearing Imagination - Outreach" which describes Etruscan's mission and continued literary efforts, funded by grants and donations, including the Ohio Arts Council.
"At Length", an on-line journal, has just released a chapter from To Banquet with the Ethiopians: A Memoir of Life Before the Alphabet (forthcoming from Broadstone).