Drift Ice by Jennifer Atkinson
The poems in Drift Ice view the natural world through a lens of ecological and spiritual concerns. They focus especially on Prince William Sound in Alaska fifteen years after the Exxon-Valdez oil spill, Long Island Sound at the estuarial mouth of the Connecticut River, and Sri Lanka before (and, in one poem, after) the tsunami. The poems address the myth of a once-pristine wilderness and the indifferent, ever-changing nature of “nature” and our human place in it, as they also investigate the flexibility and lambency of lyric form.
“In her new and marvelous book, Drift Ice, Jennifer Atkinson evokes the natural world with preternatural clarity…This is a beautiful book, mature, exciting, innovative, and unforgettable.”—Alan Shapiro
Fast Animal by Tim Seibles
The newest collection from one of America’s foremost African-American poets threads the journey from youthful innocence to the whittled-hard awareness of adulthood. Along the way it immerses the reader in palpable moments —the importance of remembering, the complexity of race, and the meaning of true wakefulness
“Crisply comic, disarmingly frank, and aurally bold …”
2014 — Theodore Roethke Memorial Poetry Prize
2013 — PEN Oakland Literary Award Winner
2012 — National Book Award Finalist
First Fire, Then Birds
H. L. Hix’s poetry collections have not been merely collections. Each fulfills a vision that creates a whole greater than the sum of its parts: each poem contributes to a sequence, each sequence talks to another. For readers already acquainted with Hix’s ambitions, then, the subtitle “Obsessionals” (instead of “Selected Poems”) will need no explanation: from collections that don’t just collect, what sense would it make for a selection just to select?
Hix’s poems were already at work rewriting and recontextualizing the language of others, language from sources as various as fragments of Pythagoras, apocryphal gospels, and speeches of George W. Bush. In First Fire, Then Birds, Hix keeps at the task, recontextualizing his own poems, creating a revision (seeing anew) and recomposition (putting together afresh) of an already distinctive body of work.
“[H. L. Hix is] one of our most daring poets, his oeuvre a rebuke to timidity, apathy, and retreat in any of its manifestations.”—Anis Shivani, The Huffington Post
Named by The Huffington Post as one of “The 17 Most Important Poetry Books of 2010.”
Free Concert: New and Selected Poems by Milton Kessler
A poet of international acclaim, Milton Kessler published five books of poetry during his lifetime. Kessler received numerous awards and distinctions, including a Robert Frost Fellowship, an Edward MacDowell Foundation Fellowship, and a National Endowment Program Grant. Several years ago, one of his poems, “Thanks Forever,” was chosen to appear in London subway cars to be seen by as many as two million riders a day as part of the “Poems on the Underground” project.
Milton Kessler died in April 2000, leaving behind a manuscript of new work. Free Concert: New and Selected Poems celebrates the life and work of a gifted poet of original voice, collecting work from each of his books together with his new poems.
“A lyricist capable of lovely and musical effects.”—Elizabeth Bishop
“Kessler’s sharp phrases catch the motion, textures, and strange, beautiful voices of a physical world we live in but never fully know.”—Camille Paglia
God Bless: A Political/Poetic Discourse by H. L. Hix
In poems at once playful and grave, H. L. Hix pits excerpts from the speeches of George W. Bush against arguments from Osama bin Laden in a poetic dialogue embracing politics, literature, language, and culture. Reframing Beltway sound-bites and Islamic fundamentalist rhetoric, God Bless delves into the minds of two men whose intransigence has had global consequences.
To break the stalemate, this original sequence of poems plucks the antagonists from their bunkers in Oval Office and Afghani cave and presents them, for the first time, face to face. Hix then opens the conversation to a diverse panel of experts, including the Iranian Ambassador to the United Nations, CNN’s terrorism analyst, distinguished professors of Arabic and Islamic studies, and other prominent writers and authorities, who shed light on the issues raised by the poems.
“[H. L. Hix is] one of the most distinctive writers of our time.”—David Mason, The Hudson Review
Help Wanted: Female by Sara Pritchard
The world in Sara Pritchard’s book is a known world and yet a strange place, with a cast of homeless characters who wander in and out of the stories of the collection, all set in the same university town. The linked stories take place during the time when gender discrimination in the American workplace was blatant, and when classified ads were labeled “male” or “female” accordingly.
“Sara Pritchard sees everything . . . and looks at it with such tenderness, clarity, and good humor that all of it begins to glow.” —Rebecca Barry, author of Later, at the Bar: A Novel in Stories.
“Survival stories from the liminal edge of Americana, delivered in Pritchard’s wry, observant voice.” —Lenore Hart, author of Becky and The Raven’s Bride
“Sara Pritchard can make you laugh in the same sentence that just made you cry.” —Beverly Donofrio, author of Riding in Cars with Boys and Astonished
Human Directional by: Diane Raptosh
Following her big hit, American Amnesiac, Raptosh’s Human Directional zigzags across consciousness, searing through old patterns of thought and offering new directions for the mind, heart, and world.
Raptosh points the way to what Montaigne called “unlearning how to be a slave.” With the deadly precision of the fey, Human Directional reveals the heartbreak and absurdity of our world by exploring— and often exploding—its most sacred memes.
I’m Here to Learn to Dream in Your Language by H. L. Hix
In five spellbinding lyric sequences that record a lover’s dreams and a dreamer’s loves, I’m Here to Learn to Dream in Your Language extends H. L. Hix’s ongoing poetic inquiry into spiritual and sexual ecstasy, that condition in which one becomes most oneself precisely by being transported out of oneself.
“In Hix’s beautiful poems, language and thought become physical as well as abstract realities, where one dream can split off into a thousand dreamers…”
— Paisley Rekdal, author of Animal Eye
“To read I’m Here to Learn to Dream in Your Language is to realize that we have among us a visionary devoted to revelation.”
— Dan Beachy-Quick, author of Circle’s Apprentice
Incident Light by H. L. Hix
H. L. Hix’s Incident Light explores a life that became “instantly mythical” after a startling revelation. The artist Petra Soesemann learned at age forty-nine that the dad who had raised her from birth was not her biological father. Her dad had died some years before; her father was still alive. Her dad, like her mother, was a blue-eyed German blond; her father was Turkish, with dark eyes and dark hair like Petra’s own.
Incident Light is a biography: not an ordered account of the facts of a life, but an invitation into the dad’s devotion, the mother’s passion, the father’s honor, and especially into the daughter’s own embracing of her experience, newly understood. Incident Light testifies to the many lives that converge on one life to lend it beauty and mystery.
“Hix’s eighth collection is a fine addition to this protean poet’s fast-growing (and critically lauded) body of work. Like C.D. Wright, Hix works both with highly wrought descriptive passages and with verse that sounds like regular speech cutting swiftly between them.”—Publishers Weekly, starred review
“Any new book by this inventive poet is cause for excitement.”—The Kansas City Star
Legible Heavens by H. L. Hix
“Hix has written the most important poetic sequences published by an American poet during the last several decades. He is the most interesting American poet writing today, the least predictable and the most challenging.”—David Caplan, Pleiades
Legible Heavens explores what the most intimate forms of experience reveal about our most cosmic concerns, and vice versa. Its four sequences act like compass points to orient a human landscape. On one axis, “Star Chart for the Rainy Season” laments love lost, appealing to the biblical assertion that “love is stronger than death, and passion more cruel,” in contrast to “Material Implication,” which celebrates love found, in sonnets of desire insistently “glowing against the dusk.” On the other axis, “All the One-Eyed Boys in Town” treats love as perdition, the speaker imagining his life as “a match scratched down your wingbones,” in contrast to “Synopsis,” which treats love as salvation, reinscribing the biblical gospels (canonical and apocryphal alike) to “solicit a miracle I must not expect.”
Bearing Imagination – Outreach
Enjoy our latest video "Bearing Imagination - Outreach" which describes Etruscan's mission and continued literary efforts, funded by grants and donations, including the Ohio Arts Council.
Laurie Jean Cannady – A Reading from Crave: Sojourn of a Hungry Soul
Visit “At Length” to Read About Their Latest Feature
"At Length", an on-line journal, has just released a chapter from To Banquet with the Ethiopians: A Memoir of Life Before the Alphabet (forthcoming from Broadstone).
Etruscan Co-Founder Receives Governor’s Award
Out of Our Minds with H. L. Hix
WVIA Interview With Tim Seibles
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WVIA Interview with Phil Brady
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