American Fugue by Alexis Stamatis
American Fugue (Amerikaniki Fouga) is Stamatis’s first book published in America and available to U.S. readers. The book, which was translated by Etruscan author Diane Thiel and by Constantine Hadjilambrinos, follows a Greek protagonist who visits America, travels across the country, and has a strange and compelling adventure. American Fugue examines the basic themes that are persistent in all of Stamatis’s works of fiction: an all-consuming past, the flight to escape one’s personal demons, and, most importantly, the search for personal identity that is ultimately revealed only through what is unknown to the self. The treatment of these themes is also characteristic of the author’s other novels—travel narrative on the surface, mystery or thriller with an existential dimension at another level, but ultimately a quest for self-discovery and personal redemption.
“One of the most gifted writers of his generation.” —Francoise Noiville, journalist at Le Monde
“Alexis Stamatis always starts his books smoothly, seductively so, but one chapter in you find yourself rushing the pages, intrigued, amazed, surprised. . . ”—Nicholas Papandreou, author of A Crowded Heart
2007 Winner – NEA 1st International Translation Award
Crow Man Tom Bailey
These eleven quintessentially American stories fully demonstrate our unstinting capacity for love and loss. As The Atlantic Monthly’s C. Michael Curtis describes it, “Tom Bailey’s characters live in a world of deceptive simplicity. They move from job to job and in and out of prison, struggle to…understand loving attachment, make crucial misjudgments, defend…what they believe are manly virtues, and absorb deep…disappointments. They hunt, shoot, drink, and fight, while cultivating an appetite for moral ambiguity that elevates these…stories and wins our respect for their author.”
“An impressive gathering—richly imagined and sensitively crafted stories of loss, mystery, hurt, and unexpected redemption.”—Joyce Carol Oates
Help Wanted: Female by Sara Pritchard
The world in Sara Pritchard’s book is a known world and yet a strange place, with a cast of homeless characters who wander in and out of the stories of the collection, all set in the same university town. The linked stories take place during the time when gender discrimination in the American workplace was blatant, and when classified ads were labeled “male” or “female” accordingly.
“Sara Pritchard sees everything . . . and looks at it with such tenderness, clarity, and good humor that all of it begins to glow.” —Rebecca Barry, author of Later, at the Bar: A Novel in Stories.
“Survival stories from the liminal edge of Americana, delivered in Pritchard’s wry, observant voice.” —Lenore Hart, author of Becky and The Raven’s Bride
“Sara Pritchard can make you laugh in the same sentence that just made you cry.” —Beverly Donofrio, author of Riding in Cars with Boys and Astonished
In the Cemetery of the Orange Trees by Jeff Talarigo
It is late 1948 and days before his wife is to give birth for the first time, Ghassan is approached by two talking jackals threatening that, if he doesn’t paint the signs of the newly named villages and towns, his wife will give birth to a goat. Thus begins the exile to Gaza of Ghassan and his goat.
In the mode of Borges, Calvino and Coetzee, In the Cemetery of the Orange Trees presents linked mytho-poetic tales delving beneath the long Palestinian diaspora; the history of Gaza is told as never before: through the eyes of a night guardian of a talking goat; a carrier pigeon that befriends a young boy who sells photos of martyrs; a refugee who eats books and then recites them word for word; a Palestinian father who sneaks animals into Gaza through a labyrinth of tunnels; a talking sheep who is caged in the Gaza Zoo. These mystical voices echo in the mind of an American stranger as he witnesses the beauty and horror of this ancient, suffering land. In the Cemetery of the Orange Trees is a disquieting allegory of the clash between the powerful and the silenced.
2018 Finalist – Foreword Reviews INDIES Book of the Year Award
Lies Will Take You Somewhere by Sheila Schwartz
“In this strong debut novel, Schwartz takes a hard look at the dark secrets hiding within a marriage. Depressed over the death of her mother six months before, Jane Rosen, a stay-at-home mom of three girls and longtime wife to busy, self-absorbed rabbi Saul, finally flies down to her mother’s long-empty Florida house to put her affairs in order. There, Jane finds evidence of a mother she never knew, while Saul contends with the girls—in particular unhappy, fragile 16-year-old Malkah—and a dying congregant’s bombshell confession, that he had an affair with Jane 10 years before. Shocked and wounded, Saul tells Jane not to come home, leaving her to pursue her mother’s secret life. Soon, Jane’s caught up with a gardener who traps her in a spider web of drugs, sex and secrets. At home, Malkah’s descent into depression and Saul’s compounding fury push the family toward tragedy. Though readers may feel the couple is let too easily off the hook, Schwartz pursues both threads of the story unflinchingly to the end.”—Publishers Weekly
Mr. Either/Or by Aaron Poochigian
Aaron Poochigian’s Mr. Either/Or is an ingenious debut, a verse novel melding American mythology, noir thriller and classical epic in language in which gritty rhythms, foreboding overtones and groovy jams surround you like an atmosphere. Imagine Byron’s Don Juan on a high-stakes romp through a Raymond Chandler novel. Think Hamlet in Manhattan with a license to kill.
Nahoonkara by Peter Grandbois
Set simultaneously in the farm country of Wisconsin and a small mining town in the Rocky Mountains of Colorado during the nineteenth century, the new novel by Peter Grandbois follows the lives of three brothers as each strives to re-create himself despite the forces that work to determine his identity. Though told from the point-of-view of many characters, the novel revolves around Killian, the oldest of the three, as he attempts to recapture a childhood as ephemeral as a dream. While Killian’s brother Henry strives to make the town prosperous and his brother Eli prays to maintain the town’s spiritual center, it becomes clear as the novel progresses that the center will not hold. Violence, lust, and greed tear at the fabric of the town until the only possibility for healing arrives in the form of a snowfall that lasts for three months, burying the town. It is here events take a surreal turn as individual identity collapses.
Nahoonkara, an Ute Indian word that means, “land of the rising blue,” offers a place outside our preconceived notions of reality and identity, a place where we are free to re-imagine ourselves.
“The amazing and masterful thing [in Nahoonkara] is the way that Grandbois ties this very personal, family story to the larger narrative of American expansion; it’s not overt, but we see clearly how individual pain leads to national empire.”—Kel Munger, Colorado Springs Independent Newspaper
Winner of the Gold Medal for Best Literary Fiction of the Year (ForeWord Magazine Book of the Year Awards)
Quick Kills by Lynn Lurie
Quick Kills chronicles the desperate longing to belong as well as the effects of neglect, familial absence, and the nature of secrets. The young female narrator is seduced by an older man who convinces her that she is the perfect subject for his photographs. Meanwhile, the narrator’s sister embarks on an equally precarious journey. Never clearly delineating the border between art and pornography, the narrator’s escalating disquiet is evidence that lines have been crossed.
“Quick Kills is a chronicle of bewilderment sprung from the terrible want to be wanted, the paralyzing flux of allegiances that keeps us pinned where we ought not be. Girls go missing as readily as shoes in this darkly suggestive novel; nobody’s paying much attention but the predators, who are everywhere and swift. The reader is left to navigate by images, flashes in the dark—a drawer stuffed with frogs, a spatter of blood, a child in an empty swimming pool. Lurie insists that we look, keep looking, make beauty from the ruin, and live.”
—Noy Holland, author of Swim for the Little One First
Sixteen by: Auguste Corteau
What if music could bring about a revolution? What power might reside in such a musical work, and to what madness would its listeners be driven? A haunting tale of love, loss and obsession, Sixteen can also be read as a fascinating literary thriller revolving around the mystery of music.
The Arsonist’s Song Has Nothing to Do With Fire by Allison Titus
The Arsonist’s Song Has Nothing to Do with Fire, a highly compressed prose poem of a novel, explores the loneliness of three misfits as they attempt to reconnect to the modern world: Vivian, the wallflower who’s obsessed with death; Ronny, the arsonist, who’s resisting the urge to burn the whole town down, and The Doctor, who struggles to glorify his legacy with a brilliant and reckless vision: human flight.
Bearing Imagination – Outreach
Enjoy our latest video "Bearing Imagination - Outreach" which describes Etruscan's mission and continued literary efforts, funded by grants and donations, including the Ohio Arts Council.
Laurie Jean Cannady – A Reading from Crave: Sojourn of a Hungry Soul
Visit “At Length” to Read About Their Latest Feature
"At Length", an online journal, has just released a chapter from To Banquet with the Ethiopians: A Memoir of Life Before the Alphabet (forthcoming from Broadstone).
Etruscan Co-Founder Receives Governor’s Award
Out of Our Minds with H. L. Hix
WVIA Interview With Tim Seibles
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WVIA Interview with Phil Brady
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